The Innocence Of Muslims–A Landmark In Filmmaking

The Innocence of Muslims has spread wildly throughout the Middle East and is one of the most critically-acclaimed popular films since The Passion of The Christ. A new landmark in American Cinematography, the wondrous shots of the barbaric setting for desert people transport audiences to a fantasy land where nothing makes sense and buildings are set on fire simply because they are inhabited by Christians.

Culturally speaking, this is a landmark for American film that could have only been shot by a highly-acclaimed pornographic filmmaker. Muhammed’s depiction as a bisexual who likes both submissive and dominant acts of sodomy had me laughing at all the sodomite homosexual submissive Muslims in the world. The poignant tale of Islam’s founder and his dynamic struggle for a sexual identity dropped a bomb on my misconceptions. No longer do I think of Muslims as serious practitioners of a religion, but now I see they are just innocent heathens led to destructive and violent acts by crazed Imams who follow in the tradition of Muhammed. No wonder they don’t like it when people depict him!

I have never seen a film which better facilitates masturbation. The sex scenes in this movie aroused me sensually and made me want to violate the Sweet Virgin Mary. I spilt my seed when Muhammed told his followers to rape the children of the conquered, because that has always been a dream of mine. Perhaps I will join the Army so I can get back at the Muslims for all their horrific war crimes through history. My only problem was that there were no graphic depictions of genitalia, and we did not actually get to see Muhammed having sex. That would have greatly improved my enjoyment of the furious masturbation.

It was hilarious how at certain points during the movie the actors lines were overdubbed with all the really incendiary lines about Muhammed, and that none of the actors were actually conscious they were participating in such a controversial movie. Not only has the entire Muslim world been fooled like the sad innocent child-like people they are, but the actors were also similarly fooled! The film all came together in the end, and the “Great Prophet” was depicted as a crazed sword-wielding maniac covered in blood, just as everyone in America has always imagined. Surely, this is the work of America’s greatest filmmaker. It was an intellectual tour-de-force that had me thinking, laughing, crying, and cumming in my pants all at the same time.

I’ve heard that its reception in the Middle East has been fairly negative, but that’s sad! If you can’t laugh at God, who can you laugh at?