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Cars 2 Review – Where Were The People?

CARS - MATER
GIT R DUN!

I watched Cars 2 tonight. It was better than the first one, which contained faggoty overtones of Podunk nostalgia.

Cars 2 was less celebratory of self-imposed limitations and even called out Mater & his voice actor Larry the Cable Guy’s act of ignorance by pointing out how the audience is too busy laughing at his act to realize he’s not really a good ol’ boy like them is. In Mater’s case, his character really was that dumb. But in “Larry’s” case, he’s not.

What I liked about Cars 2 was all the stereotypes. They had Asians, Mexicans, Italians – Russians named Ivan – all down pat. They even added a “black” car – an old hooptie that sounded like a doped-up Wanda Sykes or something. It was my pleasure to watch this movie in the white-bred Appalachian community of Waynesville, North Carolina (right outside of Clyde, near Canton, for those of you who need a point of reference) and they loved that sista-car. She was funny, for a you-know-what.

Cars 2 is NOT for children. That is, unless you like exposing your children to banality and mediocrity while rednecks clap for the theater screen. “That was too much!” As Mater boosts around London with rocket boosters.

Now that I think more about Mater, maybe Cars 2 was a celebration of good-natured ignorance after all. He was instructed not to change even if he is seen as an embarrassment to the entire world: all but the Car Citizens of defunct Radiator Springs located along an obsolete desert stretch of Route 66.

Mater won the hottest bitchin’-ass car featured in the entire movie – a British spy technician luxury sports car with medium-sized car tits and a sultry voice actress who is assertive and qualified, but not quite as domineering as the weakest male character in the film.

Despite all the gender and racial stereotyping, and in spite of the product placement and references to TV commercials, I could still relate to the storytelling found in Cars 2, until I realized one thing: I could not connect, emotionally, to the characters or the plot-line. That’s because there are no fucking people.

Who drives the cars? Why do they construct buildings? Are there car beds in Car Tokyo in the Car Apartments and what about the Car Churches? Is there a Car God? There was a Car Pope in Cars 2. But not one single human being. So why do the cars speak different languages in different accents? Did the cars evolve over many hundreds of thousands, or even millions of years, to develop their own languages and regional dialects? Was there a time in Cars history when the Cars had not yet invented their parts because they had not yet even mastered stone tools?

Finally. I’m going to ask this one more time. Where were all the fucking people?

 

And now for Dan Whitney, before he became “Larry the Cable Guy!”

 

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Reviews Video новости

Redlight King releases hit single "Old Man" again for the first time

Someone else’s song

“Old Man” reaches the top of fictitious chart

Neil Young wrote it.

Redneck King
Redneck King

Corporate Rock sensation Redlight King was granted permission by Neil Young to sample [butcher] one of his finest works for the song.

The video features a skateboarder at the beginning, to rope in fans of Tony Hawk V or whatever’s next. It is cool.

Then, some undefinable hipster – wigger hybrids get in a fight, signifying the dissonance between the last generation’s ways and the pressures of today. So basically a confrontation between two irrelevant groups of people takes place, and you’re supposed to feel something. If your parents are white trash, then you can probably relate to what you see on-screen, maintaining the status quo.

Following this, a distraught-looking Weezer fan enters a bike shop and is confused by tires on the ceiling. The wheels in the sky keep on turning, maybe, but his life is obviously at a standstill – as signified by the fact he is in a Redlight King video. He thinks the motorcycle will take him places, perhaps now through his own bastardization of Easy Rider, minus the weed, because not only is marijuana for old fogies, but Redlight King tests for that stuff now.

The camera then pans across our straight-edge hipster biker-wigger moping in his Detroit squat of an apartment, while the words Old Man, look at my life shamelessly echo off the walls, washing over this embarrassment of a manchild you instantly identified with before realizing what a pussy he is; but it’s too late now.

He reviews disconnect notices for his iPhone and FiOs internet over a bowl of cereal, surrounded by pictures of a disappointed step-father.

Seeking fulfillment and quick cash, the antagonist enters a motorcycle race. He takes off and now you’re finally allowed to see a musical instrument, implying that Neil Young samples were not the only thing used for this song – that someone did in fact pick up a guitar, probably under duress, and most likely enveloped in anguish at the notion of having to resort to use of a talent. The lights are dim and we’re only shown the brief vibration of strings before the manchild reappears in a field after [losing] his motorcycle race.

The video ends on a disturbing note. Viewers discover that not only has the antagonist reproduced, he managed to score with a beautiful woman, ultimately creating this abomination:

Redlight King promotes unsustainable childbirth and theft of intellectual property. Neil Young is neither referenced nor apologized to throughout the course of the video, and you are dumber for watching it.

Redlight King is the trailer park hero of the modern South.

Redlight King is brought to you by Lebal Drocer, Incorporated.


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