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Slaughter Claus: Yet another ingenious Charles Cullen masterpiece

Self-styled genius, Charles Cullen, on the set of Slaughterclaus

Thursday, fans came out to the Grandin Theater to catch the premiere of Charles Cullen’s low budget holiday horror, Slaughter Claus. Among them,  Chronicle.SU film expert Ronny Nitro was on hand to offer his in-depth insight into the mind of Charles Cullen.

After paying five dollars for the cheapest ticket to a film premiere in the entire history of the world, no one could even be bothered to tear the ticket. The lights dimmed and the theater grew quiet with anticipation. Four extremely similar trailers for Charles Cullen’s next movie scorched the minds of the audience with repetitive clips from the same handful of scenes. The audience applauded wildly for each separate trailer. Then Slaughter Claus debuted, and the crowd roared its jubliation.

A freakishly entertained man floated around in front of footage of a roller derby match, the green screen effect so abjectly implemented as to defy all description. Outside the roller rink, this crippled man continued his insane and torturous praise of the roller derby he just attended, as he inched his walker forward, pausing, and then pushing forward again. A ground shot showed the walker gliding along without pause. Then a shot of the walker moving, pausing, and moving. And then back to the ground shot with the unstopping walker. Charles Cullen tortured the audience with this purposeful error until the pain of watching became absolutely unbearable. Then Slaughterclaus appeared, gladly fulfilling the spiteful and violent urges created by such shitty film making. By the end of the scene, the man was a tiny fraction of a head and part of a torso all but smeared across miles of pavement.

[pullquote]”There’s a Santa Claus, and there’s a Slaughter Claus. That’s all there is to it, and once again, I’ll probably get tagged as a genius or something like that.”[/pullquote]There was no set dressing, awful costumes, no remotely believable special effects, almost no passable acting, and uncountable inconsistencies. Halfway through the film, the pace of the movie broke down and became ten thousand times more torturous. An unbelievably cheerful couple awkwardly baked cookies, and projectile vomited what looked like muddy urine into a sink for nearly a half an hour. Then two men arrived with lawn darts, and stood in the doorway for what felt like another half an hour. These men disappeared into thin air and Slaughter Claus killed the fuck out of that family with lawn darts. The movie segued into a Charles Cullen music video replete with terrible green screen shots of lawn darts flying around the house. Another cripple, this time in a wheelchair, was killed by a foam sledgehammer that kept falling apart and magically reconstructing itself between shots.

The following is behind-the-scenes footage where Charles Cullen oversells the amount of kills in Slaughter Claus, and falsely claims that it is “not a thinker.”

Charles Cullen’s films can be purchased from the baby fuckers at Amazon by following this link, although we only recommend Boogieman, Cullen’s first and best movie.

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Jamie Corne promotes genocide

Jamie (AKA TwistedGypsyChild) from Presstorm.com is back again, now with a really cool “final solution” to the Muslim problem. In a post titled Why we must kill all Muslims, Corne praises her extreme Islamophobic propaganda video even though it is just a lame slideshow that flashes quotations more quickly than they can be read.

Corne has had her criminal past, as unearthed by Chronicle.SU, follow her to nearly every corner of the internet, and she is now facing extreme criticism from posters at LiberalForum.org. In her “final” post (it wasn’t, but she has made several more “final” posts in the same thread), she breaks down and tells her side of the story.

“After I got out of prison, and was on parole, I once again tried to gain custody of my boys … He nailed me with child support so that the money I wanted to use for a lawyer on my 5.25 an hour pay went toward child support instead. I was co-owner of my own high performance auto shop shortly after I started paying child support … and soon was given a Honda s2000 by my current boyfriend that I tuned up and began street racing (and drag IHRA racing) with in hopes that I could raise enough money from the street racing to pay for the 5 thousand dollar retainer.”

Jamie Corne, a desperate mother on a mission to regain custody of her sons, enters the world of street racing to pay for a lawyer.

Several things in this story don’t add up. Tuning up free cars for street racing as a means to win a custody battle is just the funniest. The plot of Corne’s story ends with her as a wise and learned social commenter who knows more about life because of her struggles.

Corne’s past has relevance, but not in the way she has presented it. Her opinions are as impulsive and dangerous as her street racing career. She is actively and directly promoting violence against Muslims, carelessly feeding the flames of Islamophobia and attempting to influence violent acts.

Jamie is trying to cash in on her “famous” online persona by selling poorly made crafts. As it turns out, her earlier idea to collect donations fizzled out when she revealed that her involvement with Anonymous was all a clever ploy to allow her to better investigate their activities.