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Why hasn't Edward Snowden said anything about 9/11?

Edward Snowden hasn't revealed anything at all about 9/11 inside job
Edward Snowden hasn’t revealed anything at all about 9/11 inside job

INTERNET — It’s been said time and time again that 9/11 inside job is the grandaddy of all conspiracy theories, although that term’s marginal flavor hardly applies when the majority of the world believes in it. If one is to assume that an all-powerful cabal is influencing major trends and beliefs across the globe, then it follows that the predominant 9/11 inside job narratives were a result of subtle manipulations of elite propagandists. Are they the Illuminati? Are they contracted out by the G7, Bohemian Grove, Koch Brothers (who control Alex Jones), or Bilderburgers? Most analysts agree it was likely the Koch Brothers or Bilderburgers who wanted to drive anti-government sentiments in order to cut corporate taxes because Alex Jones, their shill, visibly and actively promoted the inside job story in the earliest days. However, Stealth Propaganda, the atomic bomb of information warfare, exists and is responsible for millions of automated bots around the world which appear to be perfectly human facebookers or tweeters yet serve some other’s shadowy purpose. Recent revolutions in Tunisia, Egypt, and now Ukraine are proof positive that Stealth Propaganda is the most powerful, yet invisible, form of propaganda ever created. There is no way to know which parties are deploying it when, except to connect interests with results, and that can only even then provide guesses.

There are so few answers and these answers only lead to more and more questions. Could it be that Islamic Terrorism is in fact a real thing? Could, in fact, people hate this country from outside enough to want to blow up our precious towers? Why would they hit our businesses hardest, toppling the World Trade Center towers and leaving a much smaller hole in a military — not legislative or even executive — building? Why hasn’t Edward Snowden said anything about 9/11?

Everyone remembers the moments those towers fell, but who remembers the first time they heard the term Ground Zero, or 9/11? Ground Zero was a direct reference to nuclear weapons — weapons which have only been deployed on the Japanese by Americans. 9/11 is a brand name for a line of swag, an entire industry of merchandise, the date on which air travel became a permanently funeral-like experience, and most importantly the numeral encoded into our brains and into our phone system which automatically triggers an immune response from the police. As those towers fell, flags flew off the shelves, patriotism surged to an all-time high, but within a few years most Americans converted to the belief that the attack was a false flag. They had been deceived, and they knew their boys were sent to die for the oil companies and the weapons companies.

It was a win-win for big businesses. Everyone took a ride, most especially the pundits who made money at stoking hate for the government. However, it seems that the military may have shown its hand by hitting itself with a superficial blow while dealing the meaningful blow to the financial sector — which crashed by 2008. The CIA is also known to have strong ties and operatives working inside of Al-Qaeda, and some have even suggested Osama Bin Laden himself was a paid operative, only killed as a part of stagecraft to support Obama’s reelection. Because of the military’s relationship with private contractors and weapons manufacturers, as well as the CIA’s ongoing role in protecting American-owned business interests especially in Central and South America, it can be said that these government entities, on their own, are strongly allied with big business, but not the biggest of business — that is, the finance sector. In fact, those are the very type of banks and financial institutions that were destroyed when the World Trade Center fell. Wall Street, just one block away, was shut down for weeks.

The farther down this rabbit hole one goes, the more questions arise. But the one man who likely knows all the answers, Edward Snowden, has not said a word that could clarify anything. In fact, what he has said about internet surveillance is critical of the NSA, an arm of the government that is now in threat of being taken over by privatized for-profit intelligence contractors, the industry Snowden worked in before working at the NSA. Recent attacks, directed by FBI operative Hector Monsegnur (Sabu), against such private intelligence firms as Stratfor and HBGary show that this conflict between the government and private moneyed interests are anything but imaginary. Snowden, having had free access to the entire internet, must know much more than he is letting on. Many have accepted Snowden as a true hero without criticizing him, so much so that it seems yet another case of propaganda for big businesses. Is he merely a fearmongering crypto-salesman from the tech industry, or does he care about our freedoms and truth? Please Snowden, the people of the world want answers so we can finally write an authoritative history, a truth behind all the madness, propaganda, and robotic stealth shills.

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Military weather prediction program reaches deep into the past

New weather hypermodeling gives meteorologists in the military unbelievable predictive capabilities
New weather hypermodeling gives meteorologists in the military unbelievable predictive capabilities

INTERNET — A team of meteorologists at DARPA have announced a “near solution” to weather prediction so complex that it not only takes into account the gravitational pull of planets in our solar system but also of nearby stars. These systems are so precise, in fact, that the team’s leader, Dr. Angstrom H. Troubador, said, “We were able to accurately predict a small thunderstorm, not even a mile wide, a year in advance. And we’re just now getting our systems truly synced with all the satellite data.”

However, this weather prediction system is so powerful the government wants to keep it out of the hands of its enemies. Dr. Troubador said, “On the battlefield, this kind of knowledge will allow our boys the edge in every situation.” Luckily for Americans, DARPA has promised to spill the beans on any tornadoes or hurricanes it predicts might threaten citizens — as long as it does not threaten national security.

One unintended consequence of the new technology has scientists from many fields both concerned and excited. Dr. Troubador raved about the technology’s new possibilities, saying, “Within just a few years, we’ll be able to use this technology to extrapolate backwards in time centuries or even thousands of years. It is that accurate. And then we’ll be able to look at the weather during important historic moments and analyze long-term climate changes that led to population declines or increases in the past. We’ll be able to look at the gusts of wind that the vikings rode to the Americas. Did they really colonize the Mayan civilization? Finally we’ll have an answer.”

A colloquium of concerned scientists, however, at the Conference to Protect the Past, say this technology is just one of many that threatens the privacy of people who are long dead. Dr. Cecilia Darwin spoke out, saying, “We are, ourselves, people of the past, and extrapolative technologies such as Dr. Troubador’s are more threatening to privacy than any surveillance program ever conceived. It is altogether plausible that in just a decade or two similar technologies could open up incomprehensibly accurate windows into the private lives of any person in all of history, including anyone alive today. We need to make sure this power is in the hands of capable and competent scientists with a strong ethical framework, rather than military elites.”

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Molly Crabapple Feeds The Trolls

Molly Crabapple's latest painting, OpPornPixie
Molly Crabapple’s latest painting, OpPornPixie

INTERENT — Molly Crabapple, artist and blogger known for her commentary about how the world’s messed up, tweeted Friday about her latest painting entitled OpPornPixie. At the center of the operation is a highly stylized and glamorous self-portrait overlaid with a bloodspatter of the kind of abusive comments the artist receives as a consequence of being a hip public figure and advocate for women, sex workers, and justice for the persecuted and powerless.

The cloud of hate is punctuated at her neck with a question mark. The only upside-down words, “Despicable Creature,” (perhaps the work’s true title?) are stylized with the artist’s trademark font rather than the bloodspatter of the hateful comments. Is this text a self-inflicted wound?

Some of the abusive text cuts across her face, adorns her hair, or seems to become a part of her face, lining her eyebrows and even standing in for eyelashes. In one photo, the artist poses for a “selfie” in front of the self portrait, the artist’s vengeful glance at the camera contrasting with the subtly saddened face in the enormous painting behind her.

The social media performance that accompanies the painting, Op[eration]PornPixie, is possibly just beginning, but so far it aligns with the vengeful glance of the artist in the selfie — it has made the abusers mad. Crabapple has retweeted a handful of criticism directed at the work. One critic said, “Very self serving and self indulgent. Its all about you flower,” and another said, “Stop oppressing people by crowdsourcing free insults. Insulters deserve fair wages for their digital labor.”

It is perilous to speak of an artist’s intent, but Crabapple opens this discussion on Twitter, saying, “I’m not making this piece because I feel threatened or scared of internet fuckery. I do think it should be visible, preserved. Some is lulz.” And the painting does provide that kind of reportage, although maybe the lulz are hiding in the words that are not legible. However, it is important to consider the context of Crabapple’s advocacy journalism and the temporary surge of attention violence against women is receiving in the wake of the Isla Vista shootings. Crabapple is, as always, ready with brush in hand to paint the sensational and oh-so-conscious trend of the week. This gigantic self-portrait, spattered with violent words that have wounded the noble advocate for women’s rights depicts (or covers over?) a bloodier, self-inflicted wound instantly recognizable to any popular artist: A “despicable creature” defined by the audience and its expectations, painting what’s trending on Twitter.