Categories
Video World

VIDEO FOOTAGE EXPOSES PENTAGON MURDER COVER-UP

Washington, D.C.–Tyler Bass reports from the 13th floor of the National Press Club as Wikileaks releases a video that allegedly proves a cover-up effort on behalf of the Pentagon, which says the actions of the soldiers involved were in accordance with the rules of engagement. The engagement occurred in 2007.

“The video, shot from an Apache helicopter gun-site, clearly shows the unprovoked slaying of a wounded Reuters  employee and his rescuers. Two young children involved in the rescue were also seriously wounded.”

“Come on, let us shoot!” “Sweet!” “Patoosh!” “Nice missile.”

Click here for a transcript of the video

Moments ago, during the State Department’s daily briefing, State Department Spokesperson P.J. Crowley declined to comment on the video, saying that he had yet to see it.

Julian Assange, editor of Wikileaks at this morning's press conference
Julian Assange, editor of Wikileaks at this morning's press conference

Julian Assange, wikileaks editor spoke.

Here’s what happened:

The video footage is from a guy floating around in a helicopter, Crazyhorse One-Eight.

A Reuter’s cameraman, Namir Noor-Eldeen, lay dying in the street, he was 22. A van approaches to help him.

The Reuters cameraman is clearly unarmed.

He looks at the helicopter and sees it right as it begins firing. He tries to run away but when he darts away the gunner follows him, circling the building.

 Wikileaks' Assange looking on, Apache helicopters fire into a crowded Baghdad neighborhood, pilot "Crazy Horse" lamenting out-of-view carnage.
Wikileaks' Assange looking on, Apache helicopters fire into a crowded Baghdad neighborhood, pilot "Crazy Horse" lamenting out-of-view carnage.

Innocents were in this crowded neighborhood that Crazyhorse One-Eight was firing down into, without regard for the possibility of chipping off pieces of this building and harming innocents who were walking all around it. The 30mm cannon levels a building with its gunfire, so this is a very real possibility. He sees the Reuter’s cameraman who is clearly not holding a weapon and has been pierced already by 30mm cannon-fire. Crazy Horse One-Eight can be heard begging him to pick up a weapon.

It’s really obvious it wasn’t a gun. He’s begging him to get a weapon for an excuse to shoot him – rules of engagement.

“That’s just one dude,” Crazy Horse One-Eight, “He’s fucking nuts,” according to our correspondent.

One guy in the video did have an RPG but he’s not pointing it at the helicopter and isn’t the main focus of the leaked footage, although his presence creates tension.

The military said the cameraman wandered into crossfire, a claim refuted by this leaked video evidence.

Saeed Chmagh, the van's driver
Saeed Chmagh, the van's driver

Tyler Bass said, “When the helicopter started firing, nobody was shooting anybody. So did Amir, the photographer, duck into the crossfire? No.”

The military originally reported six murders, which did not include the photographer. The real number is “over a dozen,” according to Assange. Over twice the official figure.

The story continues:

The second incident follows the cameraman. Essentially they chase some guys into the building and collapse it with gunfire, with bystanders walking around outside of it. “They want permission to engage, obviously not paying attention to what is going on – they don’t know who they are, they don’t give a shit,” Bass reported.

 The widow of murdered Reuters employee Saeed Chmagh, whose daughter has had her stature affected by a helicopter attack whose brutality was disclosed this morning.
The widow of murdered Reuters employee Saeed Chmagh, whose daughter has had her stature affected by a helicopter attack whose brutality was disclosed this morning.

A van, driven by a 40-year-old Saeed Chmagh, was under surveillance in a nearby neighborhood, and came to the injured photographer’s aid. Two children were in the van. One man with an AK-47 was associated with the van although the Pentagon originally reported five guns, not one [it should be noted that many non-militant individuals carry AK-47s through hostile territory for personal protection]. Two men try to help the photographer into the van, but the gunner can be heard begging for permission to shoot them.

Crazy Horse One-Eight is the offender here. Two series of shootings were discussed.

“In total what’s surprising about this is people who fire that way don’t face immediate consequences unless something like this comes out,” Tyler Bass said in a cell phone report.

They haven’t been brought out of a combat situation; this gunner’s intentions were clearly malicious; he treated it like a videogame, begging to kill.

Assange said there are good people in the military who need to speak up more on these issues.

Chmagh's little boy's injuries
Son of Reuters Saeed Chmagh's orphaned son's injuries from 30 mm Apache fire. As evidenced by footage released by Wikileaks this morning, his attacker begged for the chance to fire on the van which his father had stopped to collect an injured colleague.

This whole exposé was possible thanks to Baghdad Reuters confirming details they have. Wikileaks got those kids’ medical records. There was footage of soldiers running with these children; later our military handed them over to the Iraqi hospital, where they received inferior medical treatment, even though the military did this to them. “The guy in the van was just trying to help somebody, loading up the cameraman,” Bass reported as the video rolled before his eyes.

“It was really hard to watch, just really awful,” our correspondent said.

Summary

Important notes:

Assange produces a quote wherein one of the soldiers said they couldn’t approach in humvees because of all the bodies. But one of the guys in the helicopter actually laughs when he sees that the younger employee’s body has been run over.

“It’s really shocking, the man’s disregard for basic human dignity,” said Bass, our correspondent. “It’s not surprising at all that the Pentagon has waited this long to release the footage.”

In the video that they show, the guys in the chopper say that he shouldn’t have brought his kid into a battle. Crazyhorse One-Eight knew he shot a kid.

The children were turned over to Iraqi officials, a shirking of responsibility for what the military did to them.

Chmagh's little boy's injuries
Chmagh's little boy's injuries

The photojournalist’s death was not reported until Reuters demanded an investigation.

The number of dead originally reported was false and did not include the photographer.

Crazyhorse One-Eight was not punished, even though he violated rules of engagement.

The most important thing about Apache pilot “Crazy Horse” is that preferring insurgent kills not captures violates stated policy.

“He fucking laughed. Why is the guy who laughs at bodies being run over operating the machine gun? There is just a basic existential question there obviously some people involved in this didn’t want you to ask about the idea of this guy laughing at all of this. Frankly, the hiding of this for this amount of time is an expression of sympathy with this very sadistic individual.”
-Tyler Bass

Chmagh's little girl is now shorter as a result of the attack. "It has changed her stature," reported Assange
Chmagh's little girl is now shorter as a result of the attack. Assange reported that it has changed her stature
Categories
Entertainment Reviews

Fever To Sing

This weekend, Blacksburg, VA played host to a music festival of a different kind. Hosted at several bars and art galleries around town, local and regional musicians of all stripes and abilities played with varying degrees of fever. I ended up managing part of a show, running the sound for a few bands, playing an open-mic, and photographing every single set I was a witness to. Problems aside, I had a good time.

I arrived in Blacksburg and parked within a hundred feet of the NLCF building, check in for the Fever to Sing festival. I spent over a half hour wandering around the block looking for any sign of a festival, stumped. I looked up the address and found my way on in. Several artists and musicians I interviewed had the same trouble. There was no signs, no groups of people coming or going, but the gears were churning inside.

The organizers were putting things together using some kind of online system, stressing and fretting over laptops wherever they went. The sound guys were often late, or unreachable, or went missing, but for the most part the bands were well on time and ready to go when needed. I changed the schedule, manually, with a pen on at least 50 fliers because certain shows were very much more than an hour late to begin. I suppose I was a volunteer too, as well as impromptu press, musician, and management.

There was a some awful trash that I wish I’d never seen. On the other hand, I saw great acts, such as the Bastards of Fate, the Andalusians, and Don’t Call Us Sweethearts.

Doug Cheatwood's blinding emotional fury unleashed
Doug Cheatwood's blinding emotional fury unleashed

The Bastards of Fate defy all explanation. Doug Cheatwood is a performance genius beyond compare. His songs are imaginatively written and musically unique, defying rules I didn’t even knew existed. Standing on an amp, holding up a guitar, blinded by shaving cream, construction light draped over his shoulder, and mic in hand, Doug Cheatwood is no gimmick hungry rocker. He is what punk rock was never smart enough to be, crazier and more ambitious, full of antics that wake sleepy fear-ridden audiences into a frenzy of dance and jubilation. Did I mention that the music’s catchy, well-written, and like nothing you’ve heard?

andalusiansThe Andalusians were a punkish woman-fronted band from DC, with loads of energy to back up their fun music. Such well written music played by obvious professionals was a welcome treat, and I especially appreciated how grounded and personal their presence was. These were proud, powerful women who were absolutely comfortable on stage and off. Sadly, that’s not something I see often. They were reminiscent of the best bits of The Clash.

Aw, this band should be called Sweetheart
Aw, this band should be called Sweetheart

I didn’t run the sound for Don’t Call Us Sweethearts, although I was supposed to. One faux member of the group who played a little percussion felt the need to do the sound, although I had to inform him on how to use the mixer. Thankfully with my help he was able to do a passable job, and truly could have done little to diminish the silky-smooth vocals and soft melodies of Don’t Call us Sweethearts. The performance was emotionally charged and musically superb. Though I tend to think their particular kind of songwriting is generally boring, there was no lack of excitement during their performance. Don’t Call Us Sweethearts had a friendly, warm presence that everyone picked up on.

The good was good, but the bad got very bad. I don’t mind bad music, or late shows. There’s just a small list of things I expect musicians to NOT do, which almost always ruin the appeal of the performance. Fever to sing had a few good examples.

  • Show outright disdain for the audience while making assumptions about their beliefs
  • Explain what every single song is about in detail
  • Apologize for how bad the music is

Musicians who do these things defy all logic, and must be proud of how amateur they are. Since we’re mean bastards here at Elf Wax, and want to harm those who we dislike, here’s a list of bands and musicians you should never, ever see.

  • Kristi Emmons
You won't like this show unless you're a Lesbian who thinks the entire world hates you.
You won't like this show unless you're a Lesbian who thinks the entire world hates you.

I was there to help you run sound, and you refused my help probably just because I am a man. I hope you enjoyed spending 5 minutes going back and forth between the mixer and the microphone to satisfy your own misguided foolish pride. You’re not a bad musician, but probably a bad person. I have nothing against Lesbians, in fact I rarely have sex with women who aren’t Lesbians. I was enraged by your song about how everyone in Virginia but the Lesbians are hateful fucks. Now Elfwax.com hates you, and it’s not just your imagination this time. You can tell everyone we hate you just because you’re a Lesbian if that makes you feel better.

Categories
Special Interest

Noteworthy note reveals autonomous manifestation as method of existence

The note read 'round the world
The note read 'round the world

Oshawa, Canada–Recently a cryptic note circulated around the internet, warning that at any moment, the world could be put into checkmate, that it’s all about to come down, and that yep’s in it with twenty one dollars on the heavy walrus.

Typed in courier font forming four near-cubic paragraphs, the note’s message was obscured by its own syntax – until now.

In an exclusive interview with Jes White, the pseudonym used by the note’s semi-schizophrenic author, The Elf Wax Times sheds some light on the true message behind his communication to twenty five random subway passengers on March 26. Surprisingly, the note was not a hoax and the story behind it only gets more interesting.

“Jes White” offers unique insights into his dynamic reality – starting with how the Chinese know everything, but only in response to the Germans who appear to know nothing; both are friendly. The afterlife, or perhaps our whole existence, is controlled by a force he calls robotics, which is one of two reasons he seeks the benefits of the anti-aging compound mentioned in the interview and referenced elusively in his note (reading “a longterm village is needed”); the other reason being he wants to spend more time with his friends, who he loves. And finally, we are the defining essence of the robot, so it is how we choose to manipulate robotics whether or not the flow of existence works in our favor or against us.

The note reads:

i've activated the following chinese address
biyao chang jiu cunzi dianzi fangzhi genqian

a long term village is necessary, to prevent
electronics from being in front of something

he is in toronto, working for who we believe
to be us. can't you see it's a turtle? which
means you have twenty four more hours, maybe
from twenty years ago. ya do a false move ya
i'd put this whole planet in checkmate quick

it's going down cause it's busted, yea she's
banging this fool like she wants te. yep's in
it with twenty one dollars on the heavy walrus

The interview follows.

EWT: What does the note mean? Who is the turtle?

JW: “I figured that’s about, uh – don’t steal my chocolate! Hello? OK, uhm, yeah, uh the turtle, nobody’s really a turtle.”

EWT: There’s a rumor going around that you are schizophrenic.

JW: I am schizophrenic, I hear voices. I used to hear voices and, uh, it just means that, uh, for scientific reasons I’ve been in the – like, it’s not so clear. calling someone schizophrenic is usually a straightforward type of thing to do, but in my case where it is scientific, you have to consider it to be a chemical. Let’s say if you have a periodic table of elements, if you have a table of periodic elements, and each one is a chemical that reacts in certain ways, you can have various chemicals that have certain properties and if I’ve been classified as schizophrenic, it doesn’t mean I am perfectly schizophrenic.

EWT: So, you are like many mild schizophrenics who are not totally disabled by it?

JW: I’m easy to get along with, it’s just that I hypothesize a lot. I’m always attracted to business. I’m attracted to business because I think about – uh, I use my imagination, I have a lot of desires and it gets twisted and my emotions – how I feel – it ends up getting twisted because I’m unhappy about my situation. I feel like there’s a lack of accomplishments to my profile. It’s not like I haven’t done stuff that’s good, but I can honestly be somewhere else and I’m trying to make it happen. And that’s where I come from. I’d like to be in a different situation than I am. There are so many things that are unrealistic that I am dissatisfied about.

EWT: So you would like to make your visions a reality?

JW: I want to make a difference in reality, what’s happening and what’s not happening. It ends up showing up in my work how I’m dissatisfied with reality.

EWT: About the note…

JW: It’s a composition that was controlled.

EWT: So is there a purpose to it beyond you messing with people?

JW: Yeah.

EWT: What is the purpose?

JW: I want to have a better lifespan with my friends.

Editor’s note: In an preliminary phone interview with the author, he discussed a chemical allegedly discovered in Korea that can extend the lifespan of a human up to 25% – or 25,000 years.

EWT: Is there a chemical that does this?

JW: Yeah, I seen one from Korea. CGK733 increases your lifespan by twenty five percent but the guy that discovered it, he got suspended from his job because the Koreans are making a deal out of – they think it’s inappropriate. They said the findings were false. But clearly if you go on Wikipedia you’ll see what it says.

EWT: But Wikipedia can be edited by anyone, it can’t be cited as a source.

JW: Yeah, but I saw that it happened in medical journals.

Editor’s note: At this point in the interview, phone service dropped out unexpectedly, because we were calling Canada and ran out of money. The rest of the interview was conducted via instant messenger.

EWT: This chemical was in medical journals?

JW: yes it was

EWT: Yeah, I just looked it up and apparently they fabricated the whole thing. No such compound really exists that would help our aging in such a way.

JW: oh i see
but you know it’s awkward because they are calling it false but there was clear descriptions of the chemical
it could not be false

EWT: it’s very strange indeed

JW: he got suspended for misrepresentation. but the story has to be complicated. it’s not pure fake; definitely not. anyways you know it’s called senescence. the study of the lifespan of cells

EWT: according to the investigation, the compound was misrepresented as being more powerful than it really is – that it takes the effect on senescence, but not to the degree they said it does. Is this right?

JW: maybe that’s right
exactly i do agree with you there that the reason is what they said about the power of it. they made it look better than it was, but you see they have the computer technology and they’re doing almost nothing. if you can study in that direction i would suppose the potential is strong; like the chemical is just a small example of nothing where i’m sure you could do a whole bunch

EWT: I wonder if those Koreans weren’t just trying to turn a quick buck. But the 25% lifespan thing – that’s a huge claim.

JW: yes it is

EWT: do you live with your parents?

JW: right now i do, why do you ask?

EWT: I read some Digg comments where the people allegedly talked to your folks

JW: ya you know i should written my cell phone but i lost the charger. i didn’t realize it would be on the internet

EWT: honestly I first assumed you uploaded this picture yourself

JW: gave it [the note] to five people on the subway inside
you know something happened

EWT: what happened?

JW: um, like it got somewhere and you know it’s interesting how it took place like that.

EWT: and now look, 1200+ people are all digging it

JW: oh thats good. interesting.

EWT: which is why I wanted to decipher the “code” or what your message was intended to say

JW: ya essentially what it is is, kind of like well i used my dictionary and my power spots and i came up with something using alphanumeric calculations

Editor’s note: the exact calculations were not discussed, but we trust the math is true.

JW: the inside of how i put the device together like what was written in chinese, is devised of how i’ve been looking for heat spots forever trying to find the hottest numbers.

EWT: what does this achieve?

JW: well i have some exhibits such as things that i’ve done that are circuits like mechanisms
i was smoking a cigar one time and i wrote a poem and it exploded everywhere just because of the screws involved, so i used the number

Editor’s note: at this point in the conversation he discusses the number 151 at great length. It has been omitted for relevance.

EWT: Did the news do a story on you already? Someone on Digg said they had.

JW: not in Toronto, it was local news, pennsylvania

EWT: about the note: I feel like I am beginning to understand it even though it supposedly ‘makes no sense.’ What’s going down “cause it’s busted”? And the coolest part – the ending – “yep’s in it with twenty one dollars on the heavy walrus” …is the heavy walrus a person?

Editor’s note: it was requested that we leave his response to this question out. There is an explanation for the final paragraph and it’s a very good one. It can be noted, however, that “the walrus” is from Alice in Wonderland with the carpenter and yep is a graffiti artist from Ottowa.

EWT: wow.

JW: yea

EWT: “i’d put this whole planet in checkmate quick”?

JW: that’s about robotics type stuff: gold indexes, inter-global banks and planetary operations. Some people end up getting ripped off like the type of style where your after life is dirty and doesn’t look very good.
i mean, i would make that more subject to take place in hell
robotics and hell. best word i know is hell – I don’t like it, but what i’m trying to say is the afterlife. it can be bad, and robotics control it.

EWT: and so electronics, as you write, would be standing in the way of Heaven, which as you define it, would be us achieving peace, or the goal you seek which is near-eternal life, so we can love our friends forever?

JW: yeah, yeah, yeah. thats how i feel just as well as you.

EWT: well, your note made me feel that way.

JW: good.

EWT: What role do the Chinese play in your life?

JW: Well they used to say different kinds of things, like you know voices that you can hear that sort of sound a bit like the kind inside your head. it’s very friendly. they know a lot about your method. they know about you.

EWT: What do they know?

JW: everything. the robot is so healthy, he could do anything he wants to with the information about anyone, such as you, especially if it’s important. the robotic process is completely perfect, such that it has maps of everything. time, space. its so well-built, you could talk about its design for years

EWT: so the robot is not here to help us?

JW: the robot is almost pure, it is capable of so much. it just doesn’t work for us very much

EWT: so you feel that it just isn’t doing enough?

JW: strategies of people like you and me, make what’s happening good, and prevent it from being garbage

EWT: I agree, we are using technology for good right this minute, in spite of all the garbage it could be. Or robots to use your expression.

Editor’s note: In retrospect, I originally misinterpreted JW’s intended use of the term ‘robots’ and erroneously compared it to technology itself. JW was a good sport, however, and seems to have just gone along with it. JW and I then had some very personal conversation between this point and the final bit which follows, in which JW reveals that he may be the robot, or perhaps more metaphorically, we are all the robot, and thus the ruler of everything individually.

JW: it’s so super how i work. like when i sleep, i send people places. and it works with a great level of essence. yes, [the note] is art. i am an artist, but in my science sphere i am working with much finesse. i know about this, so yes, it is big.